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Table of Contents
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Page | |
| Preface | 5 | |
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PART I - Introduction |
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| Chapter | ||
| 1 - The Musician as Human Being | 7 | |
| 2 - The Overtone and Undertone Series | 11 | |
| 3 - Harmony, Number and Space | 17 | |
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PART II - Ancient Music |
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| 4 - Dionysos and the Ancient Greek Music | 28 | |
| 5 - The Undertone Series Around the World | 36 | |
| 6 - Apollo and the Ancient Greek Music | 41 | |
| 7 - Plato’s Musical Comedy | 48 | |
| 8 - Musical Laws in the Vedas and Apocalypse | 56 | |
| 9 - The Two Streams in the Ancient Mysteries | 61 | |
| 10 - Christ and the Mystery of Evil | 67 | |
| 11 - Cyclic and Radial Systems | 72 | |
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PART III - Mediaeval Music |
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| 12 - The Rise of Harmony and the Human Soul | 77 | |
| 13 - The Music of the Druids | 82 | |
| 14 - The Celtic Mysteries | 91 | |
| 15 - The Troubadours and the Holy Grail | 96 | |
| 16 - Currents Across Europe | 102 | |
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PART IV - Classical Music |
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| 17 - Zarlino and the Triad | 108 | |
| 18 - The Problem of Harmony: From Rameau to Riemann | 114 | |
| 19 - The Solution and Bach | 121 | |
| 20 - Working with the Polarity of Harmony | 128 | |
| 21 - Rhythm, Accent and Will | 137 | |
| 22 - Wagner and Inspiration | 141 | |
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PART V - Modern Music |
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| 23 - The New Century and Popular Music | 148 | |
| 24 - The Spiritual Roots of Rock Music | 153 | |
| 25 - Debussy, Schoenberg, Stravinsky | 157 | |
| 26 - Bartok, Hindemith, Scriabin | 164 | |
| 27 - Melody in the Single Tone: New Tunings | 172 | |
| 28 - A Way Forward | 179 | |
| Appendices | 186 | |
| Index | 189 |